It works, yes, but the Facit has a grace about it, a level of refinement more akin to a Hermes 3000. The SM9 is precise, but rigid and feels mechanically dull, lifeless. The Facit 1620 is similar, but also much different in all the details. The closest comparison would be the vaunted Olympia SM9, the gold standard of workmanlike typewriters. It’s a piece of machinery, but that’s like saying the Apple iPhone is just a mobile device. This is the kind of typewriter that will tickle the fancy of your muse. Part of it is the cool carriage glide, part is how the key tops feel and the sound they make when striking the platen. Plus, there’s that X-factor of feel that makes you want to use this machine. Line after line goes by easily with the Facit. If you’re doing lots of writing you’ll know the importance of an easy carriage return. When you’re typing the carriage seems to float across the line, it’s that smooth and unique among typewriters. The Facit is an easy going typewriter with a basket shift mechanism and keys that don’t need much effort to make a good impression. The overall impression is of a company that pays attention to details. And in the design world where packaging enhances product, the Facit comes with a handsome matching suitcase with an interior felt cross-bar that proudly proclaims in gold lettering Made in Sweden. The above picture doesn’t do justice to the chocolate keys and cream body. It’s a style that’s timeless and you could easily imagine this typewriter in an Ikea showroom. And if it’s form you’re after the minimalist Swedish lines represent the egalitarian style evocative in this rich culture. Every facet of the Facit is fantastic, from the ultra-glide action of the cylinder and bearing carriage system to its all-metal body, this machine oozes functionality.
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